Ну... у него на кассету хорошего (отличного) точно есть. Je les vois deja, например. Mathilde. Valse a mille temps. Plat pays. Les flamandes... да мало ли.
Хорошая песня, одна из немногих, которые мне попрежнему у него нравятся. Но про 68ой не думаю. Брель воспринимал студентов 68-ого как таких вот Жожо и Пьеров, у него на эту тему даже песня есть, продолжение "Je vous ai apporté des bonbons".
вот что я нашел по этому поводу (по-английски). брассанс и ферре были анархистами, а брель и некоторые другие - симпатизировали. один из самых известных итальянских бардов, фабрицио де андре, кстати, тоже был анархистом.
The post-war years One of France’s most famous and most popular singers, Georges Brassens, was a militant of the Fédération Anarchiste, writing his first article for their paper Le Libertairein 1946, subsequently helping editing it. Whilst his views were presented forthrightly in his songs, his subversive intentions were achieved by a mocking and satirical approach. His rise to fame led to a preoccupation with his career, though he continued to contribute generously to the cause and gave free performances at fundraising galas for the anarchist movement and appears to have maintained his anarchist views up to his death.
A figure of prowess of the Left Bank intellectuals and bohemians, Boris Vian was a jazz trumpeter, author of 10 novels and writer of 400 songs, many of which he performed himself. His most famous song Le Déserteur (the Deserter) strongly expresses his antimilitarism, a theme often touched upon in his work, along with his hatred of organised religion and bureaucracy, key elements in his anarchism.
Jacques Brel, a Belgian who spent much of his life in France, was another celebrated singer and song-writer of this period who also included a fierce antimilitarism, militant atheism and savage satires on the bourgeoisie in his songs. He was careful, however, not to be drawn on his politics in public. Unlike Léo Ferré, who regularly included references to anarchism in his songs, as did Georges Moustaki, a Greek born in Egypt who has spent most of his life in France. Both have made contributions to the anarchist movement and performed in benefit galas.
Unlike Brassens’ more gentle approach, Ferré’s songs sometimes contained incitements to insurrection and revolt. He was excluded from broadcasting over ORTF (the French version of the BBC) in the ’60s because of his anarchist opinions and his opposition to the Algerian war. One of his songs, Complainte de la Télé, lays into French TV as a prostitute touting for trade, and the télécratie, government by television. In other songs he fires broadsides at the pap served up on TV, which he sees as a morphine for the masses.
Moustaki celebrates the Spirit of Revolution in his Sans La Nommer (Without naming her) and his tribute to May ’68, written during the events in Temps de Vivre (Time To Live).
Обидно еще, что в воксе нельзя выбрать конкретный ролик -- выбираешь по картинке, практически вслепую. Так данный ролик может быть хуже, чем тот, который в ЖЖ. У меня так получилось с Арди -- в воксе он медленнее грузится.
Слушай, у меня, честно говоря, на всю эту херню нет времени. Его уже ушло слишко много. Мне существенно не потерять текстов и некоторое число очень важных френдов. Для общения мне жж пока что удобней всего. И vox пока для меня надёжный backup
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когда ты в последний раз видела соотв. передачу по какому–ниб. западноевроп. телеканалу? ;–)
А внешне... Тебе совсем не мешает "причесанность"?
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Но Брассенс - кто ж ним сравнится!
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Кстати, вот тут посмотри http://mbla.livejournal.com/419568.html?thread=17193200#t17193200
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http://www.youtube.com/watch?v=g2T4utHPhws
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Я как раз говорила, что надо Брассенса найти. И с ним никто всё-таки не сравнится.
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The post-war years One of France’s most famous and most popular singers, Georges Brassens, was a militant of the Fédération Anarchiste, writing his first article for their paper Le Libertairein 1946, subsequently helping editing it. Whilst his views were presented forthrightly in his songs, his subversive intentions were achieved by a mocking and satirical approach. His rise to fame led to a preoccupation with his career, though he continued to contribute generously to the cause and gave free performances at fundraising galas for the anarchist movement and appears to have maintained his anarchist views up to his death.
A figure of prowess of the Left Bank intellectuals and bohemians, Boris Vian was a jazz trumpeter, author of 10 novels and writer of 400 songs, many of which he performed himself. His most famous song Le Déserteur (the Deserter) strongly expresses his antimilitarism, a theme often touched upon in his work, along with his hatred of organised religion and bureaucracy, key elements in his anarchism.
Jacques Brel, a Belgian who spent much of his life in France, was another celebrated singer and song-writer of this period who also included a fierce antimilitarism, militant atheism and savage satires on the bourgeoisie in his songs. He was careful, however, not to be drawn on his politics in public. Unlike Léo Ferré, who regularly included references to anarchism in his songs, as did Georges Moustaki, a Greek born in Egypt who has spent most of his life in France. Both have made contributions to the anarchist movement and performed in benefit galas.
Unlike Brassens’ more gentle approach, Ferré’s songs sometimes contained incitements to insurrection and revolt. He was excluded from broadcasting over ORTF (the French version of the BBC) in the ’60s because of his anarchist opinions and his opposition to the Algerian war. One of his songs, Complainte de la Télé, lays into French TV as a prostitute touting for trade, and the télécratie, government by television. In other songs he fires broadsides at the pap served up on TV, which he sees as a morphine for the masses.
Moustaki celebrates the Spirit of Revolution in his Sans La Nommer (Without naming her) and his tribute to May ’68, written during the events in Temps de Vivre (Time To Live).
http://libcom.org/history/1789-1989-revolutionary-song-in-france
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Зы: в вокс видео не переносятся, нужно их специально вставлять То есть там я даже не поняла, о чём ты.
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Брель поет la plat pays qui est le mien
И по-французски и по-нидерландски.
Re: Брель поет la plat pays qui est le mien
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